Dickson, Carter Murder in the Submarine Zone

Dickson’s quirky World War 2-era detective novel opens with an intriguing Dedication evocative of both the era in which it was written and of the novel itself:
“This story is dedicated, as it should be, to fellow-passengers aboard M.V. GEORGIC, in memory of a crossing we made from New York to ‘a British port’ during the early days of the war.

The crossing took place under the same black-out and life-jacket conditions as are described here. But there all semblance to reality ceases. The date was September, 1939; not January, 1940. The ship was not carrying munitions. There were no such regrettable goings-on as occur in these pages. No character in the story – whether passenger, officer, or member of the crew – bears the remotest relation to any living person. In short, everything except the atmosphere is a complete fantasy from beginning to end.”
The book was well reviewed upon publication, as the following Times Literary Supplement (Aug. 24, 1940) reveals:
“Should you imagine that Secret Service means a holiday from finger-prints and photography you are mistaken. Such a title as Murder in the Submarine Zone holds out a promise of this only to those who are unaware that Chief Pursers study criminal investigation. When there is a murder aboard the EDWARDIC, crossing the Atlantic with a cargo of explosives, she becomes a floating Scotland Yard with enough enlarged finger-prints to be regarded as additional cargo, and Sir Henry Merrivale has something fresh to tell the ordinary reader about them. War is used here simply as a highly dramatic background for a “who-done-it” that would be puzzling even in peace conditions. In a cold-blooded post-mortem frame of mind, the reader may wonder at the lavish amount of criminology expended on a murder or two, but while the hunt is up the excitement is unfailing. From the start it is fairly plain that a U-boat alarm will be sounded: yet when it does happen the suspense thrills. Likewise the expected news “The Navy is here,” comes like a blessing. With so satisfactory a detective as Merrivale and a criminal made on no ordinary mould, the tales passes all the customary crime tests with honours.”
It remains to remark that though this reader found Dickson’s characters somewhat of the pasteboard variety, his superb evocation of an eerily deserted liner (clearly based upon the well-known Cunard-White Star motor vessel GEORGIC) racing unescorted across the Atlantic in wartime is especially well done. Note that Dickson’s novel was republished in hardcover in 1972 (London, Eng.: Tom Stacy) and has also been published under at least two other titles, Murder in the Atlantic and Nine - and Death Makes Ten. The latter is a classic Dell paperback from the mid 1940s.